My Fair Lady
Revival
A domineering linguistics professor transforms a rough-and-tumble flower seller into a refined lady—what a romance! And as a musical, it’s been an unmatched success, enchanting audiences worldwide for nearly seventy years, thanks to Shaw’s brilliant story and Loewe’s unforgettable melodies.
‘With exceptional singers and a stunning design, but without any gimmicky effects’ [BERLINER MORGENPOST], Andreas Homoki presents Eliza’s transformation ‘masterfully and without any frills’ [NZZ]. ‘Sumptuous 1920s costumes, gigantic gramophones on stage, and a dynamic orchestra—no wonder there was thunderous applause!’ [B.Z.]
‘With exceptional singers and a stunning design, but without any gimmicky effects’ [BERLINER MORGENPOST], Andreas Homoki presents Eliza’s transformation ‘masterfully and without any frills’ [NZZ]. ‘Sumptuous 1920s costumes, gigantic gramophones on stage, and a dynamic orchestra—no wonder there was thunderous applause!’ [B.Z.]
Part 1
Clash of the classes: Colonel Pickering accidentally bumps into the flower girl Eliza Doolittle, who
instantly launches into a wild rant. Just then, they are joined by the phonetics professor Henry Higgins. He claims that not only can speech determine a person’s class distinction, it even has the power to change it. Were he to teach the flower girl to speak »properly«, she could soon run her own shop as a respectable lady. Eliza – on top of it all punished with a chronic drunkard for a father – sees her chance to escape her gloomy existence and seeks out Higgins in order to take lessons from him. Colonel Pickering, who shares a burning passion for linguistics with Higgins, proposes a bet to the professor. He is convinced that the phonetician will never succeed in turning Eliza into a lady.
Clash of the classes: Colonel Pickering accidentally bumps into the flower girl Eliza Doolittle, who
instantly launches into a wild rant. Just then, they are joined by the phonetics professor Henry Higgins. He claims that not only can speech determine a person’s class distinction, it even has the power to change it. Were he to teach the flower girl to speak »properly«, she could soon run her own shop as a respectable lady. Eliza – on top of it all punished with a chronic drunkard for a father – sees her chance to escape her gloomy existence and seeks out Higgins in order to take lessons from him. Colonel Pickering, who shares a burning passion for linguistics with Higgins, proposes a bet to the professor. He is convinced that the phonetician will never succeed in turning Eliza into a lady.
Higgins accepts the bet, and Eliza, now his pupil, moves in with the confirmed bachelor and his housekeeper, Mrs. Pearce. And so begins an arduous learning period for the girl. But a first taste of success inspires! Eliza is to be subjected to an initial test run among high society at the races in Ascot in the presence
of Henry’s mother, Mrs. Higgins. But her first foray turns into a debacle. Nevertheless, Eliza finds a fervent admirer in the posh Freddy Eynsford-Hill.
Part 2
After more weeks of intense linguistic training, the time arrives to settle the bet: Pickering and Higgins present Eliza at the annual Embassy Ball. The evening ends in triumph, grand society is enchanted by the charming young lady. Even the Hungarian linguist, Professor Karpathy, a former pupil of Higgins and an expert in exposing imposters, is convinced: Anyone who speaks a language as pure as Eliza’s must be a princess! Back home, the men celebrate their success. They forget that this was not their achievement alone. After a fight, Eliza leaves Higgins’ house in a rage but soon realises that as a lady she cannot return to her old life. In the end, she pours out her heart to Mrs. Higgins. That’s where Henry finds Eliza and to his own bafflement realises how much he misses her after all. But Eliza has made her own plans. It seems that it is too late for her to return …
Musical in two acts [1956]
based on George Bernard Shaw’s Pygmalion and the 1938 film by Gabriel Pascal
Book by Alan Jay Lerner
German by Robert Gilbert
based on George Bernard Shaw’s Pygmalion and the 1938 film by Gabriel Pascal
Book by Alan Jay Lerner
German by Robert Gilbert
In the repertoire since November 28, 2015
Sponsored by
Further Productions