A burning love
Semele
Georg Friedrich Händel
Jupiter, the father of the gods, falls in love with Semele, the beautiful daughter of the king, just as she falls in love with him. Semele desires nothing more than to experience him in his true form: Only when he shows himself to her in all his divinity does she feel truly equal to him.
Jupiter’s jealous spouse, Juno, only adds fuel to the fire of Semele’s ambition—but this leads her to ruin. The mortal Semele has nothing to protect her from Jupiter's searing presence. Semele must perish, while Jupiter goes on…
Barrie Kosky shows the gods to be just as entangled as human beings in the rules they have created for themselves, thus bringing gods and humans closer together.
Semele, the daughter of King Cadmus, is due to marry Prince Athamas, though secretly she loves Jupiter, father of the gods. Her sister Ino is unhappily in love with Athamas and can barely conceal her despair – much to her father’s displeasure. Athamas is shocked when he realizes that he’s the reason for Ino’s sorrows. A bewildered Cadmus announces that Jupiter, in the guise of an eagle, has carried off Semele.
Semele enjoys the pleasures of love. Jupiter’s wife Juno hears about her husband’s new lover from her messenger Iris. She is consumed with jealousy. Semele loves Jupiter beyond all measure but is painfully aware of an insurmountable barrier between herself and the god. Jupiter is troubled by this and does all he can to distract Semele.
– Interval –
Aided by Somnus, the god of sleep, Juno appears to Semele as her sister Ino, whispering that she can become immortal if she sees Jupiter just once in his true, divine form. At their next rendezvous, Semele demands maximum fulfilment. Jupiter is unable to dissuade the woman he loves so much and she is burnt to death in the supreme deity’s fiery rays. Jupiter proclaims through Apollo that Dionysus, god of ecstasy, shall rise from her ashes. Ino and Athamas become the new royal couple and their wedding is joyously celebrated.
Musical drama in three acts [1744]
Libretto by William Congreve
Libretto by William Congreve
A pessimistic, deeply serious, but also very touching, thoughtful interpretation, closer to the baroque cult of death, the lament of the decrepitude of all existence, than to the—likewise baroque—joie de vivre and exuberance.BR KLASSIK
Musikalische Leitung
Inszenierung
Bühnenbild
Kostüme
Chöre
Licht
Semele
Elsa Benoit
Jupiter / Apollo
Athamas
Juno
Ino
Iris
Cadmus
Somnus / Priester
David Shipley
Further Productions