Martina Gredler
Martina Gredler studied drama diretion at the Mozarteum University Salzburg and theatre and musicology at the University of Vienna. Her diploma production of Albert Ostermaier's Narkose was shown at the Thalia Theatre in Gaußstraße Hamburg in 2010 as part of the Körber Studio Junge Regie. She has worked as a dramaturge at the Schauspielhaus Salzburg and as a permanent assistant director at the Residenztheater Munich with Martin Kušej and at the Burgtheater Vienna with Matthias Hartmann and Karin Bergmann.
At the Burgtheater Wien, she has directed productions such as Richard Alfieri's Sechs Tanzstunden in sechs Wochen (2019), Wos unguaz - eine Hommage an H.C. Artmann und Gerhard Rühm (2018), Der große Marsch (2017) by Wolfram Lotz, die Lumpenloretta (2016) by Christine Nöstlinger and Sibylle Berg's Es sagt mir nichts, das sogenannte Draußen (2015).
Martina Gredler has also directed productions at the Theater für Niedersachsen, Meininger Staatstheater, Werk X Wien, Bronski & Grünberg Theater, Schubert Theater Wien, Fredo Theater in Gniezno and Schauspielhaus Graz (Paulus Hochgatterer's Böhm (2018) - together with Nikolaus Habjan). The production Böhm was nominated for the Nestroy Theatre Prize 2018 in the category Best Provincial Performance. At the Klagenfurt City Theatre, she staged Ödön von Horváth's Figaro lässt sich scheiden (2022) and Martin Sperr's Jagdszenen aus Niederbayern (2024).
In 2023, she staged the Austrian premiere of Mithu Sanyal's Identitti at the Theater Phönix Linz and Sasha Marianna Salzmann's highly acclaimed novel Im Menschen muss alles herrlich sein and Nora Abdel-Maksoud's inheritance satire Jeeps at the Staatstheater Nürnberg.
This spring, she staged the musical collage Ein bisschen trallalala, a homage to Fritzi Massary and Max Pallenberg, with Ruth Brauer-Kvam and Robert Palfrader at the Volksoper Wien.
In 2024, she will stage the world premiere of Franz Wittenbrink's children's opera Die kleine Hexe at the Komische Oper Berlin.
At the Burgtheater Wien, she has directed productions such as Richard Alfieri's Sechs Tanzstunden in sechs Wochen (2019), Wos unguaz - eine Hommage an H.C. Artmann und Gerhard Rühm (2018), Der große Marsch (2017) by Wolfram Lotz, die Lumpenloretta (2016) by Christine Nöstlinger and Sibylle Berg's Es sagt mir nichts, das sogenannte Draußen (2015).
Martina Gredler has also directed productions at the Theater für Niedersachsen, Meininger Staatstheater, Werk X Wien, Bronski & Grünberg Theater, Schubert Theater Wien, Fredo Theater in Gniezno and Schauspielhaus Graz (Paulus Hochgatterer's Böhm (2018) - together with Nikolaus Habjan). The production Böhm was nominated for the Nestroy Theatre Prize 2018 in the category Best Provincial Performance. At the Klagenfurt City Theatre, she staged Ödön von Horváth's Figaro lässt sich scheiden (2022) and Martin Sperr's Jagdszenen aus Niederbayern (2024).
In 2023, she staged the Austrian premiere of Mithu Sanyal's Identitti at the Theater Phönix Linz and Sasha Marianna Salzmann's highly acclaimed novel Im Menschen muss alles herrlich sein and Nora Abdel-Maksoud's inheritance satire Jeeps at the Staatstheater Nürnberg.
This spring, she staged the musical collage Ein bisschen trallalala, a homage to Fritzi Massary and Max Pallenberg, with Ruth Brauer-Kvam and Robert Palfrader at the Volksoper Wien.
In 2024, she will stage the world premiere of Franz Wittenbrink's children's opera Die kleine Hexe at the Komische Oper Berlin.